The Town is the Venue
Notes
Describes the framework in which Deveron Projects works and contributes to the social wellbeing of Huntly.
Artist / Author | Deveron Projects |
---|---|
Publisher | Deveron Projects |
Reference | P3552 |
Date | 2018 |
Type | Publication |
Keywords
Similar items
Copy of Oral Histories of the Revolution
Next Wave Festival 2014 Magazine : New Grand Narrative
Pg. 32
Oral Histories of the Revolution, Tania El Khoury
Sonia Boyce: Reclassifying Classification
Afterall Journal
Issue 49 Spring/Summer 2020 – ‘Extractivism’ – looks at a nexus of practices engaging with environmental issues and extractivist capitalism. In parallel, it covers alternative ways in which artists are occupying spaces of art, history or economics.
P.27-35
Nizan Shaked traces the interventions of Sonia Boyce’s work in received categories of artistic practice, considering how these interventions suggest means of classification beyond media, artistic intention and identity.
Elmgreen & Dragset : Inconvenient Truths
Art Review Issue 26 / October 2008
pg. 74-81
Feature on Elmgreen & Dragset : Inconvenient Truths
Taking Receipts: A Log of Aggression for People of Color
“Sadly, as people of color we experience discrimination everyday. It’s exhausting. And when it happens, we often question ourselves, thinking: Did that just happen? Am I being too sensitive? And when we can identify that it is discrimination and speak to it, we’re often questioned and others often don’t believe us or brush us off, calling us too sensitive or angry. The burden falls on us to prove that we are being discriminated against. This book is here for you to take detailed logs of your everyday aggressions so that you can show off your receipts–proof.” Aram Han Sifuentes
Designed and illustrated by Ishita Dharap.
Essential Work : Eastern European Immigrants and Models of Participation
Contemporary Theatre Review, Volume 33, Issue 3 (2023)
Essential Work : Eastern European Immigrants and Models of Participation, Bojana Janković
This article investigates the relationship between a marginalised community of essential workers and dominant models of participation.
Black Radical Tradition : Centring Abolition Ecology in the Climate Climate Justice Movement
shado Issue 4 : Youth
Article ‘Black Radical Tradition : Centring Abolition Ecology in the Climate Climate Justice Movement’ by Idman Abdurahaman.
Tolu Agbelusi
shado Issue 2 : Global Womxnhood
Feature on poet and performer Tolu Agbelusi.
Oluwaseun Babalola
shado Issue 2 : Global Womxnhood
Feature on filmmaker Oluwaseun Babalola.
Fatimah Asghar
shado Issue 02: Global Womxnhood
Feature/Poetry by Fatimah Asghar with Art and introduction by Sabba Khan.
Towards Environmental Salvation : Climate, Capitalism and Gender
White Rabbit: Celebrating ten years of Barnes' White Rabbit
Mclarrity, Spike (2021) White rabbit : celebrating ten years of Barnes’ White Rabbit.
Zong! (Wesleyan Poetry)
In November, 1781, the captain of the slave ship Zong ordered that some 150 Africans be murdered by drowning so that the ship’s owners could collect insurance monies. Relying entirely on the words of the legal decision Gregson v. Gilbert-the only extant public document related to the massacre of these African slaves-Zong! tells the story that cannot be told yet must be told. Equal parts song, moan, shout, oath, ululation, curse, and chant, Zong! excavates the legal text. Memory, history, and law collide and metamorphose into the poetics of the fragment. Through the innovative use of fugal and counterpointed repetition, Zong! becomes an anti-narrative lament that stretches the boundaries of the poetic form, haunting the spaces of forgetting and mourning the forgotten.