Visceral: The Living Art Experiment
Notes
Exhibition explores scientific truths, what constitutes living, and the ethical and artistic implications of life manipulation. Science Gallery in conjunction with Symbiotica. January 28th – February 25th 2011.
| Artist / Author | Various Artists |
|---|---|
| Reference | P1615 |
| Date | 2011 |
| Type | Publication |
Keywords
Similar items
Aesthetic Taiwan
Can Taiwan performing/performance art be an avant-garde strategy for cultural exchanging with Shanghai e-Art Festival?
-Referring to the changing face of British Live Art.
Research study by Catherine Jiang.
Art as We Don’t Know It
Art as We Don’t Know It showcases art and research that has grown and flourished within the wider network of both the Bioart Society and Biofilia during the previous decade. The book features a foreword by curator and art historian Mónica Bello, and a selection of peer-reviewed articles, personal accounts and interviews, artistic contributions and collaborative projects which illustrate the breadth and diversity of bioart.
Braiding Sweetgrass: Indigenous Wisdom, Scientific Knowledge and the Teachings of Plants
As a botanist, Robin Wall Kimmerer has been trained to ask questions of nature with the tools of science. As a member of the Citizen Potawatomi Nation, she embraces the notion that plants and animals are our oldest teachers. In Braiding Sweetgrass, Kimmerer brings these two ways of knowledge together.
Politics of Food
Documenting the eponymous six year project as well as the current research and thinking around the subject with contributions by prominent artists, academics, activists and chefs.
Part of the Library of Performing Rights ( P3041).
Through the Prism of the Senses
Video/Art: The First Fifty Years
The curator who founded MoMA’s video program recounts the artists and events that defined the medium.
An Apartment on Uranus
Recounts Preciado’s transformation from Beatriz into Paul B., and examines other processes of political, cultural and sexual transition.
This Rose Made of Leather
Nine minute video of the performance.
Pleading in the Blood: The Art and Performances of Ron Athey
Pleading in the Blood: The Art and Performances of Ron Athey presents the first critical overview of this major artist’s work. It demonstrates how Athey foresaw and precipitated the central place afforded they body and identity politics in art and critical theory in the 1990s and beyond.
Kira O’Reilly: Untitled (Bodies)
The first major survey of the artist’s interdisciplinary practices. Bringing together newly commissioned and other writings by major thinkers in and beyond visual and performance studies, and extensive documentation of the artist’s work from two decades of practice, it navigates through and between performance, biotechnical practices, image-making, and writing.
Imaginative Bodies: Dialogues in Performance Practices
Reaffirms the central position of the body in various artistic practices through in-depth conversations with choreographers, composers, visual artists, hip hop artists, dramaturges, a light designer and a puppeteer.
Confession de Ron Athey
Super 8 film was made at the Festival de l’Etrange, Vidéotheque de Paris. Produced by Homemade FIlms.
Part of LADA Screens 6.
