We Need to Talk About Live Art

Anthony Roberts archive Arthur Lowe film Garrett Centre Gary Stevens Grace Jones Harold Offeh Joyce Grenfell Laurel and Hardy Lily Savage Marcia Farquhar Mark E. Smith Missy Elliott music Neil Bartlett Oliver Hardy performance Selina Thompson Stacy Makishi Stan Laurel Steve Buscemi Tim Etchells

archive audience Bluecoat Cai Yuan cultural difference Dinu Li displacement documentation duration Ex Centris festival George Chakravarthi Guillermo Gómez-Peña hybridity installation internationalism intervention Jian Jun Xi Kira O'Reilly one to one Oreet Ashery participation performance Qasim Riza Shaheen Silke Mansholt Stacy Makishi Suki Chan time

body CCA cult female body feminism gender Glasgow graphic design narrative storytelling structure temporality typeface women

Aaron Williamson Acts of Clothing Bagism Balthazar Barby Asante Barbys Karaoke Barrierman Beastie Best Biennial Blind Football Bobby Baker Bow Gamelan Ensemble Bubbling Tom Building After Catastrophes CAPP childhood children Chris Burden Collaborative Arts Partnership Programme Concrete Barges confidence Cooking the Sunday Dinner Covers Creative Europe creativity Curious David Weber-Krebs David Weiss Dennis Oppenheim Drip Music education European Union Eva Meyer Keller family Following Piece Forced Entertainment Freeing the Voice From The Portfolio Of Doggedness Fundus Theater game George Brecht Guerrilla Girls Haircuts by Children Harold Offeh imagination intergenerational Issues Jana Sterbak Jeremy Deller John Lennon Joshua Sofaer Judy Clark LADA Live Art UK Lone Twin Mad for Real Mammalian Diving Reflex Marcel Duchamp Marcia Farquhar Marina Abramović Martha Rosler Maximilian Haas Mike Pearson Name in Lights On The Scent Person Saying a Phrase Peter Fischli Peter Weibel Psychogeography Remote Control Rope Piece Roundabout for a Crashed Helicopter Rrose Sélavy Santiago Sierra Semiotics of the Kitchen Showcase Beat le Mot Situationist International Soya Sauce and Ketchup Fight Stephen Cripps strategy Sybille Müller Tate Tehching Hsieh The Battle of Orgreave The Performativity of Matter The Search for Miracles The Way Things Go Theatre of Research Tomorrow’s Parties Trans-Fixed Two Stage Transfer Drawing Valie Export Vito Acconci Yoko Ono Zoe Laughlin

archive documentation festival National Review Of Live Art Nikki Milican NRLA

Antony Gormley archive Birmingham Bristol Dartmoor Derry documentation Edward Allington George Wyllie Glasgow Hannah Collins Holly Warburton installation intervention Jennie Norman John Joekes Judith Goddard Kate Whiteford Liverpool London Mark Dunhil Miranda Housden Newcastle place Richard Wilson Ron Haselden sculpture Sharon Kivland site specific space visual art

Aaron Williamson Acts of Clothing Bagism Balthazar Barby Asante Barbys Karaoke Barrierman Beastie Best Biennial Blind Football Bobby Baker Bow Gamelan Ensemble Bubbling Tom Building After Catastrophes CAPP childhood children Chris Burden Collaborative Arts Partnership Programme Concrete Barges confidence Cooking the Sunday Dinner Covers Creative Europe creativity Curious David Weber-Krebs David Weiss Dennis Oppenheim Drip Music education European Union Eva Meyer Keller family Following Piece Forced Entertainment Freeing the Voice From The Portfolio Of Doggedness Fundus Theater George Brecht Guerrilla Girls Haircuts by Children Harold Offeh imagination Issues Jana Sterbak Jeremy Deller John Lennon Joshua Sofaer Judy Clark LADA Live Art UK Lone Twin Mad for Real Mammalian Diving Reflex Marcel Duchamp Marcia Farquhar Marina Abramović Martha Rosler Maximilian Haas Mike Pearson Name in Lights On The Scent Person Saying a Phrase Peter Fischli Peter Weibel Psychogeography Remote Control Rope Piece Roundabout for a Crashed Helicopter Rrose Sélavy Santiago Sierra Semiotics of the Kitchen Showcase Beat le Mot Situationist International Soya Sauce and Ketchup Fight Stephen Cripps strategy Sybille Müller Tate Tehching Hsieh The Battle of Orgreave The Performativity of Matter The Search for Miracles The Way Things Go Theatre of Research Tomorrow’s Parties Trans-Fixed Two Stage Transfer Drawing Valie Export Vito Acconci Yoko Ono Zoe Laughlin

Aaron Williamson Acts of Clothing Bagism Balthazar Barby Asante Barbys Karaoke Barrierman Beastie Best Biennial Blind Football Bobby Baker Bow Gamelan Ensemble Bubbling Tom Building After Catastrophes CAPP childhood children Chris Burden Collaborative Arts Partnership Programme Concrete Barges confidence Cooking the Sunday Dinner Covers Creative Europe creativity Curious David Weber-Krebs David Weiss Dennis Oppenheim Drip Music education European Union Eva Meyer Keller family Following Piece Forced Entertainment Freeing the Voice From The Portfolio Of Doggedness Fundus Theater George Brecht Guerrilla Girls Haircuts by Children Harold Offeh imagination Issues Jana Sterbak Jeremy Deller John Lennon Joshua Sofaer Judy Clark LADA Live Art UK Lone Twin Mad for Real Mammalian Diving Reflex Marcel Duchamp Marcia Farquhar Marina Abramović Martha Rosler Maximilian Haas Mike Pearson Name in Lights On The Scent Person Saying a Phrase Peter Fischli Peter Weibel Psychogeography Remote Control Rope Piece Roundabout for a Crashed Helicopter Rrose Sélavy Santiago Sierra Semiotics of the Kitchen Showcase Beat le Mot Situationist International Soya Sauce and Ketchup Fight Stephen Cripps strategy Sybille Müller Tate Tehching Hsieh The Battle of Orgreave The Performativity of Matter The Search for Miracles The Way Things Go Theatre of Research Tomorrow’s Parties Trans-Fixed Two Stage Transfer Drawing Valie Export Vito Acconci Yoko Ono Zoe Laughlin

age ageism Anne Bean body Dickie Beau femininity feminism feminist art film identity gender gender politics George Chakravarthi Harold Offeh Julie McNamara Laura Bridgeman Live Art Development Agency Liz Aggiss Lois Weaver Lucille Power Lucy Hutson Marcia Farquhar Narcissister performance art queer Rocio Boliver sex sexuality The Drakes The Famous Lauren Barri Holstein The Girls women

A Pageant of Great Women Anna Birch Cicely Hamilton Glasgow history interview Scotland women women's history

acting Adrienne affect archiving audience authenticity autobiography bathing care Caridad Svich Christianity confession death depression directing documentation drag Edinburgh Fringe Ella Finer ethics family femininity Fintan Walsh Gary Gardiner gay Glasgay! Glasgow Helen Iball homosexuality humour Ian Johnston improvisation intimacy Jackie Wylie Jennifer Doyle Jess Thorpe Jon Cairns Kathleen Gough Katy Baird labour Laura Bissell loneliness love Lucy Gaizely Marcia Farquhar mental health Nic Green Nigel Charnock one-to-one participation performance art postdramatic theatre queer Rachel Zerihan ritual Robert Walton Rosana Cade sexuality Shelley Hastings socially engaged spirituality Stephen Greer Stewart Laing The Aches theatre Tim Crouch touch water

acting Adrienne affect archiving audience authenticity autobiography bathing care Caridad Svich Christianity confession death depression directing documentation drag Edinburgh Fringe Ella Finer ethics family femininity Fintan Walsh Gary Gardiner gay Glasgay! Glasgow Helen Iball homosexuality humour Ian Johnston improvisation intimacy Jackie Wylie Jennifer Doyle Jess Thorpe Jon Cairns Kathleen Gough Katy Baird labour Laura Bissell loneliness love Lucy Gaizely Marcia Farquhar mental health Nic Green Nigel Charnock one-to-one participation performance art postdramatic theatre queer Rachel Zerihan ritual Robert Walton Rosana Cade sexuality Shelley Hastings socially engaged spirituality Stephen Greer Stewart Laing The Aches theatre Tim Crouch touch water