What’s the Use?: Constellations of Art, History and Knowledge – A Critical Reader
Notes
*currently unavailable*
Takes as a starting point the premise that art is best understood in dialogue with the social sphere, and examines how the exchange between art, knowledge and use has historically been set up and played out.
Editor | Jorinde Seijdel, Steven Ten Thije, Nick Aikens, Thomas Lange |
---|---|
Publisher | Valiz |
ISBN | 978-9492095121 |
Reference | P3163 |
Date | 2016 |
Type | Publication |
Keywords
Similar items
Criticism : In Search of Its Placing
From the special edition of Maska on the occasion of the 25th anniversary of the Contemporary Dance Association Slovenia. In Slovenian and English.
Elmgreen & Dragset : Inconvenient Truths
Art Review Issue 26 / October 2008
pg. 74-81
Feature on Elmgreen & Dragset : Inconvenient Truths
Essential Work : Eastern European Immigrants and Models of Participation
Contemporary Theatre Review, Volume 33, Issue 3 (2023)
Essential Work : Eastern European Immigrants and Models of Participation, Bojana Janković
This article investigates the relationship between a marginalised community of essential workers and dominant models of participation.
Zong! (Wesleyan Poetry)
In November, 1781, the captain of the slave ship Zong ordered that some 150 Africans be murdered by drowning so that the ship’s owners could collect insurance monies. Relying entirely on the words of the legal decision Gregson v. Gilbert-the only extant public document related to the massacre of these African slaves-Zong! tells the story that cannot be told yet must be told. Equal parts song, moan, shout, oath, ululation, curse, and chant, Zong! excavates the legal text. Memory, history, and law collide and metamorphose into the poetics of the fragment. Through the innovative use of fugal and counterpointed repetition, Zong! becomes an anti-narrative lament that stretches the boundaries of the poetic form, haunting the spaces of forgetting and mourning the forgotten.
Decolonising Performance Pedagogy - A position paper from Bangalore, South India
Training Utopias
Performance Research Volume 25 Issue No. 8 December 2020
Pg9-10
They Are All at Least Seventy - An exploration of female resistance to the decline narrative in theatre and live art
On Ageing (&Beyond)
Performance Research Volume 24 Issue No 3 April/May 2019
pg 40-48
Multilingualism on the Berlin Stage : The Influence of Language Choice, Linguistic Access and Opacity on Cultural Diversity and Access in Contemporary Theatre
Contemporary Theatre Review Volume 32 Issue Number 1 February 2022
p61-80
Critical Anachronisms : Wael Shawky's The Song of Rowland : The Arabic Version
Contemporary Theatre Review Volume 32 Issue Number 1 February 2022
p46-60
Project Nationalism and Theatre in Contemporary India
Contemporary Theatre Review Volume 32 Issue Number 1 February 2022
p21-45
Share Your Work : Lola Arias's Lecture Performance Series and the Artistic Cognitariat of the Global Pandemic
Contemporary Theatre Review, Volume 31 Issue Number 4 November 2021
Re Wild(e)ing Queer Performance
Contemporary Theatre Review Volume 31 Issue Number 3 August 2021
An Introduction to the Phenomenology of Performance Art : SELF/s
Applying a queer phenomenology to unpack the importance of a multiplicity of Self/s, the book guides readers to be academically rigorous when capturing embodied experiences, featuring exercises to activate their practices and clear introductory definitions to key phenomenological terms. Includes interviews and insights from some of the best examples of transgressive performance art practice of this century help to help unpack the application of phenomenology as Bacon calls for a queer reimagining of Heidegger’s ‘The Origin of the Work of Art.’